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Lin-Manuel Miranda’s musical pictures a community on the brink of change where three generations of music breezes out of open windows and young residents wrestle with keeping or leaving behind various traditions. “Doing this show is a huge undertaking, but it’s achievable because the kids at St. Joseph are so well suited for this musical,” said director Lauren Rosi. “One of the reasons I chose this show is because the Washington Heights neighborhood is a real mix of cultures and very family-oriented, and at St. Joseph, we pride ourselves on our diverse population of students and the feeling of community here.”.

When Rosi first brought up the possibility of doing the show, her students had never heard of it and were less than enthusiastic, “But then I played them the music and they, literally overnight, fell in love with it,” she said, “I come from a big Italian family, and I’m super-proud of my heritage, and these kids are also so proud of where they come from and to be able to tell a story that really represents the school and represents them on ballerina ballet shoes dress 2 hard phone case cover for iphone stage is really important, They understand the story and feel connected to it.”..

St. Joseph Notre Dame recently reinstated theater in the curriculum, including a class and productions and an after-school program. “The school has been incredibly supportive and even raised money to renovate my classroom into a fully functional black box theater and dance studio,” Rosi explained. “In The Heights” will be the first production performed off-campus at the recently renovated Michaan’s Auction House Theater on the Alameda Naval Base. “It’s an unknown gem in Alameda — just stunning,” Rosi said.

A student cast of 26, crew of 30 and a student orchestra have been hard at work learning the contemporary Latin-flavored music and dance ballerina ballet shoes dress 2 hard phone case cover for iphone numbers, “The kids have really taken ownership of this project,” Rosi said, “They show up to rehearsal when they’re not called, they know each other’s parts, and cover for each other when someone isn’t there, I’ve also seen them teaching each other the choreography during lunch, Their hearts are in it, As a director and a teacher, you can’t ask for anything else.”..

That’s because director Milissa Carey and her rhythmic cast of Skid Row ruffians put the emphasis on the tuneful Motown songs and rockin’ 1960 dance moves from the Alan Menken-Howard Ashman musical that opened off-Broadway in 1982 and ran for a doo-whopping 2,209 performances. The real heart-and-soul of “Little Shop” is the street-urchin trio of Crystal, Ronette and Chiffon, who serve as narrators, commentators and all-around Skid Row ambassadors. In this production, charismatic Lyn Mehe’ula, Megan Coomans and Melissa Baxter fill these roles with buckets of attitude, great harmonies, wisdom beyond their years — all skillfully choreographed by Amanda Folena every be-boppin’ step of the way.

People who have never seen “Little Shop” (and who haven’t seen Roger Corman’s 1960 dark film comedy) may find themselves a little flummoxed when the deep-throated plant, the Audrey II, gulps down its first, um, human, That plot detail makes “Little Shop” not-your-ordinary musical, But if you can swallow that concept, then there are joys aplenty in the show, Take the nerdy leading man, ballerina ballet shoes dress 2 hard phone case cover for iphone Seymour (an earnest, self-effacing Adam Cotugno) and the ditzy love-of-his-life, Audrey (Betty Boop-cute Adrienne Walters), Both characters are caricatures, yet Cotugno and Walters find ways to endear themselves to the audience anyway, Walters has a strong comedic side and a voice made for the wistfulness of the poignant “Somewhere That’s Green,” as well as for belting out “Suddenly, Seymour.”..

On opening night, however, the five-piece musical combo conducted by Dolores Duran-Cefalu so overwhelmed the singers that several of the best vocal numbers were difficult to hear. (Apparently they got the message during intermission, because they toned down the sound in Act 2, a welcome change.). As the beleaguered flower shop owner Mr. Mushnik, Alex Perez is convincingly frustrated by his Skid Row life, but later demonstrates a softer side when he “adopts” Seymour after Seymour’s mysterious exotic plant makes his shop so famous that even the Rose Parade organizers decide to order all their flowers from the Mushnik and Son floral shop.

All of this good fortune is due to the prodigious (and blood-thirsty) Audrey II, expertly puppeteered by David Kirk and Erik Scilley, Plus it’s James Devreaux Lewis’s booming, sometimes menacing, sometimes coyly persuasive voice coming out of the Audrey II that sends laughter and genuine chills throughout Foothill’s intimate Lohman Theatre, But Jeff Clarke disappoints as the sadistic dentist Orin Scrivello, Audrey’s abusive boyfriend, It’s not that Clarke isn’t good; he is, But this is a character that can bring down the house if played right, He can either be bitingly sarcastic (a la Steve Martin in the 1986 film version) or wildly, frighteningly over-the-top, Clarke is neither, which ballerina ballet shoes dress 2 hard phone case cover for iphone is unfortunate, because his big scene when he sings “Dentist” with the doo-wop trio can be a musical highlight..

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