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She flicks her thumb across the screen, rattling off the names of her collaborators: Bok Bok. Arca. Nguzunguzu. Evian Christ. Hudson Mohawke. That gibberish prayer is a formidable laundry list of producers from across the planet, all acclaimed for turning abstract dance music into vanguard pop. Last year, two of them — Arca and Mohawke — invited Kelela to tag along as they worked on a track for Kanye West’s snarling 2013 album, “Yeezus.”. “We were all in the studio listening to ‘pass my damn croissants’ or whatever, and they were just [messing] with the a capella over and over,” Kelela says. “I still haven’t listened to ‘Yeezus’ because I like that memory.”.

If “Yeezus” expanded our collective notions about how a hip-hop album could feel, is it fair to hope Kelela might do the girls custom made hand painted bespoke birthday shoes ballet pumps blue glitter crystal stars london skyline graffiti london tow same for R&B?, Her songs are as familiar as they are alien, evoking a future we can almost see, articulating a lust we can almost feel, Almost, In the end, this is inventive, evasive music sung by a woman smart enough to know that the fulfillment of desire only extinguishes that desire, “The approach is that you give it to them, but you don’t give it to them all the way,” the 30-year-old says, “I don’t want to scratch so that you don’t itch anymore.”..

That tense, teasing energy pulses through “Cut 4 Me,” the stunning debut mix tape that Kelela released last October. It became one of the most acclaimed R&B recordings of 2013, winning praise from fans, critics and Beyonce. Its draw was Kelela’s impeccable phrasing — the result of a lifetime of deep listening. She doesn’t remember having to search for that voice — but she struggled tremendously to find a place for it. As a first-generation Ethiopian-American and an only child, she wandered from Julie Andrews singalongs to a spot in the school orchestra, to an adolescence mesmerized by R&B, to countless jazz open-mikes, to gigs at shabby rock venues, always feeling as if she didn’t belong.

“I was in this really dark place of not being able to express myself,” she says, “But all girls custom made hand painted bespoke birthday shoes ballet pumps blue glitter crystal stars london skyline graffiti london tow that resistance informed how I approach the music I’m making now.”, It took her nearly three decades to find her place because that place was the future, It starts in a Pontiac LeMans with her father, Mizanekristos Yohannes, and a pile of cassette tapes, Miriam Makeba, Harry Belafonte, Ella Fitzgerald, Aster Aweke, Sarah Vaughan, Kelela would learn to sing their every syllable..

“There was an intensity to the way she listened,” says Yohannes, who is now a development economist living in Washington and Addis Ababa. “She was indiscriminate in the way she would sing in different languages, and she had a capacity to memorize songs after just one or two listens.”. Kelela Mizanekristos was born in 1983 at George Washington University hospital in Washington. Her parents — both Ethiopian immigrants — never married, but lived in separate apartments in the same building until Kelela started kindergarten in the District.

“Mom wasn’t having it,” Kelela says of her mother’s decision to move her daughter to Gaithersburg, Md, “So she literally went as far as the Red Line (commuter train) would take her, The whiter you go, the better the school.”, At home, Kelela forged her own fantasy world, mimicking what she learned from VHS copies of “The Sound of Music” and a compilation of “Rhythm Nation”-era Janet Jackson videos, She’d put on impromptu plays with her cousin, She’d teach her aunts and uncles girls custom made hand painted bespoke birthday shoes ballet pumps blue glitter crystal stars london skyline graffiti london tow how to do the running man, She’d leap onto tables and belt Whitney Houston ballads, her eyes fixed on an imaginary stadium filled with adoring fans..

But she didn’t feel as free at school. She took up violin in the fourth grade, but couldn’t make those strings sound like TLC or Boyz II Men. At 13, she went through a phase of “trying to fit in with my white guy friends” that involved Green Day and a pink electric guitar, but she couldn’t escape the gravity of Mariah Carey and SWV. “I felt quite far away from being able to create something like that,” Kelela says. “Popular music was this abstraction — an abstraction that I was relating to immensely but was ultimately far away.”.

By the time she graduated from Magruder High School in Rockville, Md., in 2001, she felt as though she had missed her chance, “Prodigiousness is the only ticket,” she says, “It’s like: ‘If you don’t have it girls custom made hand painted bespoke birthday shoes ballet pumps blue glitter crystal stars london skyline graffiti london tow at 18, you might as well just give up, It’s done.’ “, But throughout her 20s, she would pinball around town, finding encouragement in surprising places, At Montgomery College in Rockville, she’d get a shot of inspiration when her classmate, local rapper and producer Oddisee, would play beats for her in his car..

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