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“It’s amazing for me, here in San Francisco,” said Tilson Thomas, the orchestra’s conductor and music director. “We’ve lived through so much together — 20 years, and we’re still in this good place. I love it. It’s very much for me about having this experience with the musicians, and that we continue to bring this message to our audience.”. Details of the orchestra’s 103rd season were announced today. The dozens of programs also include.

That series also will include the glow in dark - ballet pointe shoes Rotterdam Philharmonic conducted by Yannick Nézet-Séguin, with pianist Hélène Grimaud (Feb, 15-16, 2015); the Seoul Philharmonic Orchestra led by Myung Whun-Chung (April 19, 2015); and John Eliot Gardiner with his English Baroque Soloists performing Monteverdi’s “L’Orfeo” (April 27, 2015), The season includes the return of guest conductors Herbert Blomstedt (the orchestra’s conductor laureate), Semyon Bychkov, Charles Dutoit, Pablo Heras-Casado and Esa-Pekka Salonen, among others, There will be the usual slew of star soloists including these pianists: Leif Ove Andsnes, Jonathan Biss, Yefim Bronfman, Kirill Gerstein and Garrick Ohlsson, not to mention the five who will play at Tilson Thomas’s birthday party..

Eight members of the San Francisco Symphony will perform as soloists during the season. Also, Tilson Thomas’s fascination with multi-media will continue to bear fruit. Composer Thomas Adès will conduct his own “In Seven Days,” described as “a concerto for piano with moving image” by video artist Tal Rosner (March 5-7, 2015). Tilson Thomas will lead a performance of John Cage’s “Renga” that includes video, choreography and narration (May 16, 2016). And the Beethoven Festival will include a multi-media, semi-staged production of the Missa solemnis, directed by Michael Levine and featuring video design by Finn Ross (June 10-13, 2015).

The subscription series is loaded with tempting programs, One led by Tilson Thomas arrives early, Sept, 25-28, 2014, featuring the glow in dark - ballet pointe shoes orchestra, chorus and these works: Lukas Foss’s “Then the Rocks on the Mountain Began to Shout,” Charles Ives’s “Three Places in New England,” Johann Strauss’s “By the Beautiful Blue Danube Waltz,” György Ligeti’s “Lux aeterna” and Richard Strauss’s “Also sprach Zarathustra.” (You may know those last three works from film director Stanley Kubrick’s “2001: A Space Odyssey.”)..

Here’s another good one, also led by Tilson Thomas, Feb. 26-March 1, 2015: Brahms’s Violin Concerto in D major (with soloist Anne-Sophie Mutter); Alaska-based maverick composer John Luther Adams’ “The Light that Fills the World”; and Schumann’s Symphony No. 1. The season also includes Nino Rota’s score to “The Godfather” (Jan. 9-10, 2015), one of 15 works that the orchestra will perform for the first time. Also among the 15 will be three works — San Francisco Symphony co-commissions — by young composers Cynthia Lee Wong, Zosha di Castri and Samuel Adams.

I spoke last week to Tilson Thomas, who commented on many aspects of the season, Here’s part of our interview, A Thanks, you’re the first person to say that! It’s really taken me totally by surprise, I don’t feel tremendously different, I still feel the love and curiosity for the music I get to make, It’s glow in dark - ballet pointe shoes really the same, Q Tell me about you and Bonnie Raitt, You’re friends?, A Yes, for a long time, and I have such an appreciation of what she does, Oh my God, she’s just such an artist, And there’s the tradition she comes from, what her dad did — I’m an omnivore when it comes to songs and American songs, especially, She comes to our (San Francisco Symphony) concerts, and then we also have fun hanging out and singing through bits and pieces of golden oldies, the wonders of yesterday..

Q Like what?. A How about “New York’s a Lonely Town (When You’re the Only Surfer Boy Around)”? (The Trade Winds had a Top 40 hit with that one in 1965.). Q There’s such a terrific focus on American composers next season. How come? It harks back to your first years with the orchestra and the original American Mavericks Festival. A I guess there’s a certain renewed doffing of the hat to that time. This music is still very important to me, and this new process of introducing new composers is important, too. And I like that it’s connected with the opening of SoundBox, which is a sort of laboratory in which a lot of new music can be done. It’s going to be a wonderful place for the musicians of the orchestra, for young composers working with multi-media. The collaborations that come out of that will have a resonance and a bearing on what goes on in Davies in the future, as well.”.

Q It’s neat to watch the emergence of Samuel Adams, who’s only 28 and already quite a composer, The fact that he and his dad, John Adams, both live in the East Bay and are composing for the San Francisco Symphony — has this sort of thing ever happened before with a major orchestra?, A Not in my musical lifetime, I think you’d have to go pretty far back, I don’t know if there were any occasions when Wolfgang Mozart and Leopold Mozart wrote something for the same orchestra, or if the glow in dark - ballet pointe shoes Gabrielli brothers or the Bach family did it, I don’t know..



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