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Last November, the board approved spending $360,000 in community donations for design drawings for the theater, “to speed up completion of the project if Measure H was approved,” Raushenbush said. Because it was rejected, Hubbard said this week, “We are fortunate that we had private donors who committed funds to backfill dollars the district spent on the design process of the theater that we will be able to use to address the most pressing needs. “By having gone through the design process, we know more now about the needs and applicable accessibility laws. We will have our steering committee meet to discuss the best way to move forward to make sure we address the theater and other district projects in the order that makes the most sense and gets us the most bang for our buck.”.

Hubbard said the district received $500,000 in donations, “We received more in donations than was spent on the (design) plans, Each donor was notified that they could not get money back no matter the outcome of Measure H, The expectation is the money would be used to do the essential work to keep the theater going.”, The district also has $300,000 to $500,000 available in state modernization money that could be used for Alan Harvey or other projects, Approval of Measure H would have provided ADA accessibility to seating, restrooms, orchestra and classrooms, It would have upgraded mechanical, electrical and utility systems, upgraded classroom space and improved energy efficiency with silver ballet slipper shaped metal rhinestone flat back charms - silver clear setting flatback 25mm - ballerina dance shoes embe lighting and sound..

The measure was endorsed by all Piedmont schools’ parent clubs and former mayors John Chiang, Susan Hill and many others. Supporters maintained that every penny of the bond measure remained in Piedmont. The tax rate to homeowners for the first fiscal year, 2014-15 was estimated at $17 per $100,000 of assessed valuation, or $153 per parcel for a $900,000 home. The district expected to repay the bonds in 13 years. The project would have been funded through a combination of private donations, state matching funds and a Proposition 30 general obligation school bond.

“Belle”: This historical drama about mixed-race beauty Dido Elizabeth Belle, played by an impressive Gugu Mbatha-Raw, has a great deal of conviction and is cut from the same emotional cloth as the groundbreaking “12 Years a Slave,” though it lacks that film’s coherence and intensity, * * — (Betsy Sharkey, Los Angeles Times) PG, 1:44, “Blended”: Get out the baster; here’s yet another turkey to roast starring Adam Sandler, The lazy comedy reteams Sandler and Drew Barrymore for a third time, and it’s definitely no charm as the jokes fall flat or get recycled on a safari trip for two families, The supporting cast steals the picture, and it’s Sandler’s slumbering silver ballet slipper shaped metal rhinestone flat back charms - silver clear setting flatback 25mm - ballerina dance shoes embe performance that drags it down, * ½ — (Roger Moore, McClatchy-Tribune) PG-13, 1:59..

“Chef”: As actor, writer and director, Jon Favreau brings his A-game to this romp about a once-celebrated but later embattled Los Angeles chef now in a rut, who takes a road trip in a food truck to find his soul and his food again. The supporting cast is terrific. * * * — (Roger Moore, McClatchy-Tribune) R, 1:53. “Cold in July”: Talented genre filmmaker Jim Mickle turns to film noir for this intense thriller that takes numerous twists and turns in the aftermath of a fatal home invasion robbery. Michael C. Hall, Sam Shepard and Don Johnson are outstanding in this Texas-set film that has the bite of a cranky copperhead. H * * ½ — (Randy Myers, Staff) R, 1:49.

“The Dance of Reality”: Cult-movie maestro Alejandro Jodorowsky keeps this explicitly autobiographical meditation on his childhood in the coastal Chilean village of Tocopilla all fleet, funny and weird, Although its excesses can occasionally lead to some eye-rolling, this film is proof that the legendary provocateur is still a font of invention, H * * — (Robert Abele, Los Angeles Times) NR, 2:10, “Edge of Tomorrow”: In an unlikely development, Tom Cruise has re-emerged to again carry a summer blockbuster, “Edge of Tomorrow” takes a “Groundhog Day” scenario and applies it to a situation that’s half “Alien” and half “War of the Worlds.” There’s humor, there’s action, there’s Emily Blunt, Mostly there’s Cruise, a soldier who knows things no one else does and has to use that knowledge to save the world, Yet it’s a dystopian film that doesn’t beat the audience down with dystopian gloom, * silver ballet slipper shaped metal rhinestone flat back charms - silver clear setting flatback 25mm - ballerina dance shoes embe * * — (Tony Hicks, Staff) R, 1:53..

“The Fault in Our Stars”: The beloved young adult novel by John Green is turned into an equally emotionally profound film starring a sensational Shailene Woodley as a cancer-stricken 16-year-old who falls in love with another teen (a charming Ansel Elgort), who lost his leg to the disease. Sound terribly sad? It is, but this witty film is life-affirming and beautiful, too. * * * ½ — (Randy Myers, Staff) PG-13, 2:05. “Fed Up”: What this documentary makes clear is that it is the food industry and our sugar-overloaded diets that are fueling the nation’s obesity epidemic. Katie Couric, who served as executive producer, narrates this important eye-opener that pulls no punches. * * * — (Sherri Linden, Los Angeles Times) PG, 1:30.

“Godzilla”: This is the silver ballet slipper shaped metal rhinestone flat back charms - silver clear setting flatback 25mm - ballerina dance shoes embe film Godzilla fans have waited decades for, Cities are destroyed, giant monsters battle and the humans can’t stop them, Director Gareth Edwards shows respect for the back story while successfully bringing our giant lizard into the 21st century, * * * ½ — (Tony Hicks, Staff) PG-13, 2:03, “The Immigrant”: In this period piece from director James Gray, Marion Cotillard plays an immigrant who comes to our shores penniless and paperless, and soon falls prey to an unscrupulous man (Joaquin Phoenix), Co-starring an exceptional Jeremy Renner, Gray’s film gets under your skin and leaves you unsettled long after, * * * — (Betsy Sharkey, Los Angeles Times) R, 1:57..

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