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The festival, which was organized by the Bay Area Youth Vaishnav Parivar community center and temple to celebrate Holi, with four different events across three weeks, attracted more than 1,000 people throwing colorful powders on one another to the thumping beat of a disc jockey. A “Holikotsav” was held on March 16, a religious fire ceremony, the “Dhuleti,” held on Saturday, another religious ceremony, the “Dolotsav” on Sunday, and the festival will end with a folk dance performance, “Garba” at the Milpitas Sports Center, 1325 E. Calaveras Blvd., on the evening of March 29.

Saturday’s “Dhuleti” included families and friends covering this clothes and unicorn princess pink & silver tutu ballet shoes unicorn horn headpiece | vintage baby girl afro puffs | clipart instant downloa skin with vibrant colors, drinking and eating traditional fare, and dancing to music produced with a drum and from a live DJ, Holi celebrates the change in season and is considered a celebration of good over evil, said Mruduta Mervana, one of the organizers, The story behind the festival is as follows: “There was a king who had a son who worshipped Lord Vishnu (a Hindu deity), and he didn’t like that, he thought he was God and everybody should worship him, so he ordered his son to be killed in a fire, but Lord Vishnu saved him because he was his devotee and in turn killed the evil king, that is one reason for the festival, and also why the bonfire is lit up,” Mervana said..

“The other reason, is that the colors that are played with are the colors of spring, Lord Krishna (another Hindu deity) asked his mother why he was dark and the girl he loved, Radha, was fair, and so his mother, Yashoda, told him, ‘Why don’t you put some color over her face and she will become like you,’ and he took her seriously and started playing with colors (as a prank). So that became a tradition that every year people would play with colors on that day.”. Contact Aliyah Mohammed at amohammed@themilpitaspost.com or 408-262-2454 or follow her on twitter.com/Aliyah_JM. Visit us on our social media sites at facebook.com/MilpitasPost and twitter.com/MilpitasPost.

She was beloved by the masses, vilified by the military, eventually became obsessed with her own fame, but was still heralded by many as the “spiritual leader of Argentina.” All this in a scant 33 years before her premature death of cancer in 1952, This is the crux of the Andrew Lloyd Webber-Tim Rice musical “Evita” (literally, little Eva), which was both lauded and vilified when it made its way to Broadway in 1979 (where it won seven 1980 Tony unicorn princess pink & silver tutu ballet shoes unicorn horn headpiece | vintage baby girl afro puffs | clipart instant downloa awards, including best musical)..

The “Evita” that Broadway by the Bay is producing at the Fox Theatre in Redwood City is quite extraordinary, but it isn’t actually due to Alicia Gangi Malone, who plays the title role. Malone is a spunky actress and she’s intriguing to watch, at least until Eva’s ambition consumes her and makes her rather featureless. But because of Alex Rodriguez’ strong, indelible performance as Che Guevara (in real life the freedom fighter and charismatic sidekick of Fidel Castro), it isn’t unreasonable to suggest renaming this version “Che.” Rodriguez is that remarkable.

Whether or not unicorn princess pink & silver tutu ballet shoes unicorn horn headpiece | vintage baby girl afro puffs | clipart instant downloa it was the musical’s original intention, time and again director Jason Hoover places Che at the center of nearly every scene, wandering in and out like a one-man Greek chorus while providing an angry, edgy commentary about what’s going on with Eva, He is what gives this show its gravitas, Not alone, of course, because choreographer Alex Hsu (himself a Broadway by the Bay “Evita” performer back in 2002) has fashioned several standout production numbers done with precision by vigorous young dancers, Hsu smartly makes the small band of Argentine militia march in lockstep not unlike the tin soldiers in “The Nutcracker.” Other dance highlights are the thrilling “A New Argentina” number which ends Act 1 on a high-spirited, triumphant note, and, later, an umbrella-toting “upper class” knot of dancers who glide across the stage in unison while morphing into different shapes..

Another reason this production works well is Hoover’s and technical director Robert Christiansen’s creative weaving of one scene into the next almost seamlessly. Margaret Toomey’s costumes are equally impressive, especially the fine military uniforms worn by Juan Peron (a thoughtful but rather bland Anthony Bernal) and his men, as well as the full range of outfits for Malone (a simple peasant dress in the first scene, furs and jewels later, culminating in a gorgeous white ensemble for Evita when her husband is inaugurated as Argentina’s president). Later, before heading out on what was called the “Rainbow Tour” of European countries to meet various heads of state, Malone makes an ingenious costume change onstage while singing “they need to adore me, so Christian Dior me.”.

Che, meanwhile, warns her, “Don’t look down, It’s a long, long way to fall.”, Ah, those witty Rice lyrics, One of the problems with Malone’s portrayal is that her voice in Act 1 is too shrill, especially on the high notes, The result is that sometimes it’s impossible to understand the words she’s singing, This is a problem in a musical like “Evita,” where all of the dialogue is sung, She fares better unicorn princess pink & silver tutu ballet shoes unicorn horn headpiece | vintage baby girl afro puffs | clipart instant downloa when singing “I’d Be Surprisingly Good for You,” seducing Peron with her playful sensuality, She also delivers in the musical’s most well-known song, “Don’t Cry for me Argentina.”..

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